Community Copies: Exploring Preservation Policies for Video Submissions

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dc.contributor.authorVinson, Emily
dc.date.accessioned2016-11-16T22:54:57Z
dc.date.available2016-11-16T22:54:57Z
dc.date.issued2016-11-12
dc.descriptionThis presentation was given during a panel titled, “Collecting 'Community Copies' of Orphan Works: Technology, Archives, and Access,” at the Association of Moving Image Archivists Annual Conference in Pittsburgh, PA on November 12, 2016.en_US
dc.description.abstract"Community copies" are audiovisual duplications that weren't made for preservation, but usually for better access or sharing. Though they might not be high-quality copied, they are sometimes the only copies in existence or give much-needed context to the original. This term, "Community copies" comes from the research of this session's chair, Martin Johnson, Assistant Professor of Media Studies at The Catholic University of America in Washington, DC. - he gave it that name since he couldn't find a descriptive term to discuss these fascinating materials. In my discussion, I focus on the adjacent issue of submission videos in collections - like community copies, works submitted in application for awards are often not of preservation quality, but may be the only accessible copy. The purpose of this presentation is to introduce audience members some of the complexities of these items, and question how we leverage resources for the preservation of these materials with such complicated rights issues that may preclude access.en_US
dc.description.departmentLibraries
dc.identifier.orcidorcid.org/0000-0002-8902-2454
dc.identifier.urihttp://hdl.handle.net/10657/1605
dc.language.isoen_USen_US
dc.subjectaudio-visual archivesen_US
dc.subjectPublic televisionen_US
dc.subjectVideo recordingen_US
dc.subjectAudio-visual archives
dc.subjectPublic television
dc.subjectVideo recording
dc.titleCommunity Copies: Exploring Preservation Policies for Video Submissionsen_US
dc.typePresentationen_US

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