Song cycles : a brief history with examples

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dc.contributor.advisorSchoettle, Elmer
dc.contributor.committeeMemberDruary, John M.
dc.contributor.committeeMemberHirsh, Albert
dc.creatorPrice, Perry Ness
dc.date.accessioned2022-11-10T16:36:30Z
dc.date.available2022-11-10T16:36:30Z
dc.date.issued1966
dc.description.abstractHowever carefully critics and historians outline the past and the present state of music, analyze its trends, and attempt to predict its future course, new developments are almost always a surprise. The appearance of a new musical technique or style usually seems to be both natural and inevitable. The new is then seen as an outgrowth of existing patterns and conditions. In just such a manner the appearance of the song cycle as an art form developed out of a long, pre-existing tradition.
dc.description.departmentMusic, Moores School of
dc.format.digitalOriginreformatted digital
dc.format.mimetypeapplication/pdf
dc.identifier.other14084984
dc.identifier.urihttps://hdl.handle.net/10657/12637
dc.language.isoen
dc.rightsThis item is protected by copyright but is made available here under a claim of fair use (17 U.S.C. Section 107) for non-profit research and educational purposes. Users of this work assume the responsibility for determining copyright status prior to reusing, publishing, or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires express permission of the copyright holder.
dc.titleSong cycles : a brief history with examples
dc.type.dcmiText
dc.type.genreThesis
thesis.degree.collegeCollege of Arts and Sciences
thesis.degree.departmentMusic, Department of
thesis.degree.disciplineMusic
thesis.degree.grantorUniversity of Houston
thesis.degree.levelMasters
thesis.degree.nameMaster of Music

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