The aesthetics of Blake's drawing and engraving

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dc.contributor.advisorDay, Martin S.
dc.contributor.committeeMemberBaker, James V.
dc.contributor.committeeMemberGuenther, Peter W.
dc.creatorHall, William H.
dc.date.accessioned2022-11-28T21:23:21Z
dc.date.available2022-11-28T21:23:21Z
dc.date.issued1966
dc.description.abstractBlake combines both poet and painter. Following the early recognition of this fact by Joseph Wicksteed, and the recent work done by Geoffrey Keynes, Anthony Blunt, and Jean Hagstrum, there is an attempt here to show that the aesthetics of the draftsman-engraver influence the poet. The poet cannot be understood without the aesthetics of the draftsman-engraver.
dc.description.departmentEnglish, Department of
dc.format.digitalOriginreformatted digital
dc.format.mimetypeapplication/pdf
dc.identifier.other14048101
dc.identifier.urihttps://hdl.handle.net/10657/12756
dc.language.isoen
dc.rightsThis item is protected by copyright but is made available here under a claim of fair use (17 U.S.C. Section 107) for non-profit research and educational purposes. Users of this work assume the responsibility for determining copyright status prior to reusing, publishing, or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires express permission of the copyright holder.
dc.titleThe aesthetics of Blake's drawing and engraving
dc.type.dcmiText
dc.type.genreThesis
thesis.degree.collegeCollege of Arts and Sciences
thesis.degree.departmentEnglish, Department of
thesis.degree.disciplineEnglish
thesis.degree.grantorUniversity of Houston
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts

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