The transformation of Hilda in Hawthorne's The Marble Faun

dc.contributor.advisorJudkins, David C.
dc.creatorSchneider, Jean Connelly
dc.date.accessioned2022-12-13T17:46:40Z
dc.date.available2022-12-13T17:46:40Z
dc.date.issued1976
dc.description.abstractIn the early chapters of The Marble Faun, Hilda seems to be far from Nathaniel Hawthorne's ideal of womanhood. She possesses certain characteristics of his beloved wife, Sophia, but she lacks warmth and humor. Her purity of soul does not compensate for her hardness of heart. She never allows that purity to be tried by life, until Hawthorne forces reality upon her and transforms her from a marble maiden into a human woman. Hilda seems to be a comment of Hawthorne on Transcendentalism and its weakness as a way of life. Like the early Emerson, Hilda saw only the beauty of the world, ignoring the evil and the ugliness. Carrying her search for perfection to the extreme, she had shut herself away from humanity, fearing to stain an originally spotless soul. Pleading humility, she was really proud and selfish, seeking a perfection beyond the capability of man. Hawthorne admired Hilda's piety, but he realized that she was destroying her humanity. When she observes the weakness of her friend, she is shocked out of her crysalis of idealism, becoming more like Sophia, sacrificing some of her spiritual gifts for human ones. Hilda begins as a gifted, pious girl, frightened by life and the human condition into seeking an existence on an earthly plane. For Hawthorne this had frightening implications and he felt compelled to subject Hilda to the witnessing of Miriam's sin, which saved her as it transformed her.
dc.description.departmentEnglish, Department of
dc.format.digitalOriginreformatted digital
dc.format.mimetypeapplication/pdf
dc.identifier.other2757661
dc.identifier.urihttps://hdl.handle.net/10657/12841
dc.language.isoen
dc.rightsThis item is protected by copyright but is made available here under a claim of fair use (17 U.S.C. Section 107) for non-profit research and educational purposes. Users of this work assume the responsibility for determining copyright status prior to reusing, publishing, or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires express permission of the copyright holder.
dc.titleThe transformation of Hilda in Hawthorne's The Marble Faun
dc.type.dcmiText
dc.type.genreThesis
thesis.degree.collegeCollege of Humanities and Fine Arts
thesis.degree.departmentEnglish, Department of
thesis.degree.disciplineEnglish
thesis.degree.grantorUniversity of Houston
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts

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