The music of the Sacred Harp : it's history, composition, and performance

dc.contributor.committeeMemberJobe, Robert D.
dc.creatorWicks, Sammie Ann
dc.description.abstractChapter I contains a general history of the southern hymn book. The Sacred Harp, with emphasis on three important editions: 1859, comprised mainly of three-part settings; 1911, with added alto parts; and 1971, which contains works by contemporary composers. A stylistic analysis in Chapter II documents a gradual shift in tonality away from fifth-based harmonies and melodies in the original edition toward more triadic writing in the 1911 and 1971 editions. Gradual changes in performance style in Chapter III reflect this evolution also. Older singers employ guttural and nasal singing techniques and take great liberties with the written music. Elaborate ornamentation and a gradual rise in pitch and an increase in tempo distinguish the older style. Younger singers employ pure vowels and do not decorate their parts. Their performance style bears a greater resemblance to that of professional or college choirs.
dc.description.departmentMusic, Moores School of
dc.format.digitalOriginreformatted digital
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dc.titleThe music of the Sacred Harp : it's history, composition, and performance
dcterms.accessRightsThe full text of this item is not available at this time because it contains documents that are presumed to be under copyright and are accessible only to users who have an active CougarNet ID. This item will continue to be made available through interlibrary loan. of Humanities and Fine Arts, School of of Houston of Music


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