The Atlantis Effect: Aquatic Invocations and the (Re)Claiming of Women's Space through the Works and Archives of Lydia Cabrera, Gloria Anzaldúa, and Tatiana De La Tierra

dc.contributor.advisorBaeza Ventura, Gabriela
dc.contributor.committeeMemberCuesta, Mabel
dc.contributor.committeeMemberGonzalez, Maria C.
dc.contributor.committeeMemberDe Los Reyes, Guillermo
dc.contributor.committeeMemberOtero, Solimar
dc.creatorPiña, Sarah Elisabeth
dc.date.accessioned2017-08-24T21:14:55Z
dc.date.available2017-08-24T21:14:55Z
dc.date.createdMay 2017
dc.date.issued2017-05
dc.date.submittedMay 2017
dc.date.updated2017-08-24T21:14:56Z
dc.description.abstractThough writing and living within different times and places, Cuban ethnographer Lydia Cabrera (1901-1991), Chicana scholar and writer Gloria E. Anzaldúa (1942-2004), and Colombian writer tatiana de la tierra (1966-2012), all three US Latina or Chicana lesbian writers, consistently invoked water, water imagery, deities or goddesses associated with water, as well as many spiritual and mythological creatures of water in their work, and as will also be seen, in their respective archives, crucial for conceptualizations of gender, spirituality, queer sexualities, ultimately (re)claiming their space and therefore agency vis á vis their texts and archives. Cabrera, Anzaldúa, and de la tierra were initially linked as a focus for this dissertation because of observations of their connections and strong ties with the powerful feminine water deities Yemayá and Ochún from the Afro-Cuban religious tradition commonly referred to as Santería, but a much closer textual analysis coupled with archival research has revealed something more: an overlying spiritual connection with water and all associated with it, part of something I deem the Atlantis Effect, stemming from the feminist literary trope of the Atlantis Paradigm. The space and physical, metaphorical, and highly spiritual nature of water allow for fluidity on many levels in terms of gender, sexuality, and unhindered, unlimited possibilities and alternative meanings of womanhood as this vast water space is one of women, free from prescriptions and limitations imposed by patriarchal border/lands. As such, this dissertation is a crucial contribution to studies of gender, female spirituality, queerness, and US Latina and Chicana literature, as it seeks to assert the decolonial and destabilizing spiritual-aquatic nature of three lesbian Latina and Chicana authors, their works and their archives by utilizing the proposed theory of the Atlantis Effect as a lens to identify and analyze the significance of this female-centered cultural recovery of the feminine-queer divine by these authors and the women’s spaces they reclaim through their lifeworks.
dc.description.departmentHispanic Studies, Department of
dc.format.digitalOriginborn digital
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10657/2037
dc.language.isoeng
dc.rightsThe author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).
dc.subjectHispanic literature
dc.subjectUnited States Latina/o literature
dc.subjectChicana literature
dc.subjectFeminism
dc.subjectSpirituality
dc.subjectWomen's studies
dc.subjectGender studies
dc.subjectLGBT studies
dc.subjectLesbian, gay, bisexual, transgender (LGBT)
dc.titleThe Atlantis Effect: Aquatic Invocations and the (Re)Claiming of Women's Space through the Works and Archives of Lydia Cabrera, Gloria Anzaldúa, and Tatiana De La Tierra
dc.type.dcmitext
dc.type.genreThesis
thesis.degree.collegeCollege of Liberal Arts and Social Sciences
thesis.degree.departmentHispanic Studies, Department of
thesis.degree.disciplineSpanish
thesis.degree.grantorUniversity of Houston
thesis.degree.levelDoctoral
thesis.degree.nameDoctor of Philosophy

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