Narrative Analysis of Beethoven's Piano Concerto No. 5

dc.contributor.advisorKoozin, Timothy
dc.contributor.committeeMemberHester, Timothy
dc.contributor.committeeMemberSmith, Rob
dc.contributor.committeeMemberWeems, Nancy
dc.creatorShen, Yan
dc.date.accessioned2015-08-28T16:45:59Z
dc.date.available2015-08-28T16:45:59Z
dc.date.createdMay 2015
dc.date.issued2015-05
dc.date.updated2015-08-28T16:45:59Z
dc.description.abstractThe Piano Concerto in E-flat Major, op.73, completed in 1811, represents Beethoven's fifth and final contribution to this genre. This paper investigates the first movement of the Fifth Piano Concerto in light of the heroic style premise. To do this, I draw on the recent narrative theories of Byron Almén, the semiotics of topic by Leonard Ratner and Raymond Monelle, Robert Hatten’s method of discovering music meaning, and lastly, James Hepokoski’s and Warren Darcy’s work in formal analysis. Following a brief account of the historical background of the concerto and a survey of the literature, the essay discusses narrativity and topic combined with sonata theory in greater detail.
dc.description.departmentMusic, Moores School of
dc.format.digitalOriginborn digital
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10657/1142
dc.language.isoeng
dc.rightsThe author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).
dc.subjectBeethoven Piano Concerto No. 5
dc.subjectNarrative Analysis
dc.subject.lcshMusic
dc.titleNarrative Analysis of Beethoven's Piano Concerto No. 5
dc.type.dcmiText
dc.type.genreThesis
thesis.degree.collegeCollege of Liberal Arts and Social Sciences
thesis.degree.departmentMusic, Moores School of
thesis.degree.disciplineMusic
thesis.degree.grantorUniversity of Houston
thesis.degree.levelDoctoral
thesis.degree.nameDoctor of Musical Arts

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