Phillips, Anne R.2022-12-132022-12-131975-1219752774213https://hdl.handle.net/10657/12931The most artistically challenging fictional character for Henry James was the intelligent young woman, presumptuously seeking her destiny. James created a spectrum of these heroines in his novels, and his technique of characterization follows a consistent pattern. Isolated by circumstance and her own weaknesses, the heroine compensates by pursuing an intellectual destiny in learning, politics, or public service. She seeks in an ill-chosen loved one the support or opportunity for her ambitions. Her self-willed, idealistic, and aggressive traits are accented by foil and ancillary characters who, though less intelligent, are practical and successful. Although the spectrum includes Kate Croy (Wings of the Dove), Maria Gostrey (The Ambassadors), Maggie Verver and Charlotte Stant (The Golden Bowl), this study focuses on the early heroines in the pattern, Isabel Archer (The Portrait of a Lady), Christina Light (Roderick Hudson and The Princess Casamassima), Olive Chancellor (The Bostonians), and Julia Dallow (The Tragic Muse).application/pdfenThis item is protected by copyright but is made available here under a claim of fair use (17 U.S.C. Section 107) for non-profit research and educational purposes. Users of this work assume the responsibility for determining copyright status prior to reusing, publishing, or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires express permission of the copyright holder.Intellectual women in the early novels of Henry JamesThesisreformatted digital