Orto, LuisaCremins, RobertFishman, SarahLovelace, Arabella E.2022-07-112022-07-112022-05-09https://hdl.handle.net/10657/10480This thesis is a multi-faceted exploration into Henri de Toulouse-Lautrec’s contribution to the democratization and modernization of art. A variety of factors, such as the artist’s personal rejection of elitism after being abandoned by his upper-class family, his personal affiliation with the intellectual underground of Montmartre, the artist’s mastery of both traditional and novel print media which led to wide street exposure, and his stylistic and strategic uniqueness, make Henri de Toulouse-Lautrec a very important and irreplaceable name in the art historical record when it comes to breaking down barriers that restricted the common citizen’s access to art, as well as setting a unique standard for contemporary art and artists. This thesis seeks to demonstrate these factors in a way that captures a scope that has rarely, if ever, been addressed by prior scholarship. This thesis also seeks to refocus the narrative regarding Lautrec, which is often overlooked or misunderstood.enThe author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).artart historylautrecToulouse-Lautrec, Henri demontmartrepost-impressionism19th century artparisian artmoulin rougeBeyond Montmartre and the Avant-Garde: Henri de Toulouse-Lautrec and the Democratization of ArtHonors Thesis