The Use of Aztec Goddesses in Modern Chicana Art: A Close Look Through Alma López’s Portfolio

This thesis explores the use of Aztec symbolism in contemporary Chicana art, focusing on the works of Alma López. Through an examination of López's art, which reflects her identity as a Mexican-born queer Chicana woman, this study reveals the re-contextualized significance of these icons in the contemporary art scene. López's artworks serve as poignant reflections of her activism, engaging with profound religious, ethnic, and feminist themes that intricately weave a narrative of identity and resistance. Drawing from Chicana feminist theory, particularly the work of Gloria Anzaldúa, the thesis discusses how López uses Aztec icons as allegories for feminist activism and cultural reclamation that challenge societal norms and empower marginalized voices. Furthermore, the research contextualizes López's art within the broader discourse of Chicana art and activism, highlighting the intersections between indigenous heritage, feminist advocacy, and artistic expression in contemporary Chicana art. Through a comprehensive analysis of López's artistic process, medium, and materiality, the study sheds light on the complexities of identity and cultural reclamation in Chicana art, emphasizing the importance of honoring ethnic identity while respecting existing and past indigenous communities. Ultimately, this thesis contributes to a deeper understanding of the multifaceted nature of Chicana art and its role in promoting social justice and cultural heritage preservation.