Satan's labyrinth: A study of irony in Blake's Songs of innocence and of experience

dc.contributor.advisorRothman, Irving
dc.contributor.committeeMemberHenderson, Archibald
dc.contributor.committeeMemberGuenther, Peter W.
dc.creatorGreen, Diana Dee
dc.date.accessioned2022-12-13T17:58:24Z
dc.date.available2022-12-13T17:58:24Z
dc.date.issued1971
dc.description.abstractIn the past, superficial estimates of Blake's songs may have helped ensure their survival in an age ill-equipped to appreciate them. The innocuous prattlings of Innocence and the embittered lamentations of Experience have been regarded as reinforcements of conventional behavior patterns of naivete and disillusionment. The songs, however, are profoundly ironic. Epitomes of human bondage, they illuminate Blake's incorruptible faith in human liberty as the key to redemption. Both series reflect a significant disparity between text and icon; and the consummate irony of the songs is that their polarization of Innocence and Experience has been accepted as definitive. Leitmotifs of bondage interpenetrate both states. Innocence is innocuous only as long as one chooses to ignore, its illuminations. Experience is not its nemesis, but its fulfillment. The songs themselves constitute an indictment of Church and State, matriarchy and patriarchy, and all the tribal totems of both primitive and civilized society. They expose man as creator and creature of the states that confound him, victim and perpetrator of the tyrannies that deny his inherent need for self-development
dc.description.departmentEnglish, Department of
dc.format.digitalOriginreformatted digital
dc.format.mimetypeapplication/pdf
dc.identifier.other14048074
dc.identifier.urihttps://hdl.handle.net/10657/12913
dc.language.isoen
dc.rightsThis item is protected by copyright but is made available here under a claim of fair use (17 U.S.C. Section 107) for non-profit research and educational purposes. Users of this work assume the responsibility for determining copyright status prior to reusing, publishing, or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires express permission of the copyright holder.
dc.titleSatan's labyrinth: A study of irony in Blake's Songs of innocence and of experience
dc.type.dcmiText
dc.type.genreThesis
thesis.degree.collegeCollege of Arts and Sciences
thesis.degree.departmentEnglish, Department of
thesis.degree.disciplineEnglish
thesis.degree.grantorUniversity of Houston
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts

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