Doris Lessing : In the world, not of it

dc.contributor.advisorDixon, Terrell
dc.contributor.committeeMemberLutz, Donald S.
dc.contributor.committeeMemberMcNamara, John
dc.creatorGammon, Elizabeth
dc.date.accessioned2022-11-10T16:25:06Z
dc.date.available2022-11-10T16:25:06Z
dc.date.issued1977
dc.description.abstractFor both the content and the design of The Four-Gated City, Briefing for a Descent into Hell, The Summer Before the Dark and The Memoirs of a Survivor, Doris Lessing borrows from the contemporary Sufi philosophy of Idries Shah. Within these novels she stresses the existence of the irrational while developing specific Sufi principles such as compartmentalizing and essence. More importantly, Lessing designs the four novels on the tripartite design of the traditional Sufi teaching tale. Contemporary Sufis believe that apprending the entertainment, instruction and Sufi levels of a tale simultaneously exercises the mind's potential for extrasensory powers and leads towards mystical Sufi awareness. Lessing's evolving design pushes her reading audience towards such an awareness. In The Four-Gated City she rationally educates the reader to contemporary Sufism through Martha Quest's experiences; only the brief Appendix requires the reader to apprehend the message of expanded awareness and extrasensory perception as the salvation of humanity. While continuing to offer a realistic argument in Briefing for a Descent into Hell, she creates a sustained reading experience in the irrational with only the hospital charts' comments relieving the symbolic Sufi vision of the main character. The Sufi level becomes more focused in The Summer Before the Dark where a dream resolution provides the solution to Kate Brown's dilemma. Lessing's most recent novel. The Memoirs of a Survivor, requires the reader to accept Sufi awareness. In providing no "realistic" end to the novel, she forces the reader either to reject the novel or accept the irrational ending.
dc.description.departmentEnglish, Department of
dc.format.digitalOriginreformatted digital
dc.format.mimetypeapplication/pdf
dc.identifier.other3334587
dc.identifier.urihttps://hdl.handle.net/10657/12564
dc.language.isoen
dc.rightsThis item is protected by copyright but is made available here under a claim of fair use (17 U.S.C. Section 107) for non-profit research and educational purposes. Users of this work assume the responsibility for determining copyright status prior to reusing, publishing, or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires express permission of the copyright holder.
dc.titleDoris Lessing : In the world, not of it
dc.type.dcmiText
dc.type.genreThesis
thesis.degree.collegeCollege of Humanities and Fine Arts
thesis.degree.departmentEnglish, Department of
thesis.degree.disciplineEnglish
thesis.degree.grantorUniversity of Houston
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts

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