Consciousness, experience, structure and interaction : perspectives on a theory of art

dc.creatorGeary, Thomas Dennis
dc.date.accessioned2022-01-25T15:45:54Z
dc.date.available2022-01-25T15:45:54Z
dc.date.issued1972
dc.description.abstractIt is to be argued that the aesthetic capacity as well as the existence of "objects of art" arises as a result of the twofold process which defines human experience - namely, the "spiral" relationship in which consciousness structures man's experience of the world (both "internal" and "external"), while at the same time his experience of the world serves to structure consciousness itself...
dc.description.departmentEnglish, Department of
dc.format.digitalOriginreformatted digital
dc.format.mimetypeapplication/pdf
dc.identifier.other14077339
dc.identifier.urihttps://hdl.handle.net/10657/8529
dc.language.isoen
dc.relation.ispartofSenior Honors Theses
dc.rightsThis item is protected by copyright but is made available here under a claim of fair use (17 U.S.C. §107) for non-profit research and educational purposes. Users of this work assume the responsibility for determining copyright status prior to reusing, publishing, or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires express permission of the copyright holder.
dc.titleConsciousness, experience, structure and interaction : perspectives on a theory of art
dc.type.dcmiText
dc.type.genreThesis
thesis.degree.collegeCollege of Arts and Sciences
thesis.degree.departmentEnglish, Department of
thesis.degree.disciplineEnglish
thesis.degree.grantorUniversity of Houston
thesis.degree.levelBachelors
thesis.degree.nameBachelor of Arts

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