A study of Prokofieff's nine piano sonatas

dc.contributor.advisorHirsh, Albert
dc.contributor.committeeMemberJobe, Robert D.
dc.contributor.committeeMemberRoller, Moreland Korkamp
dc.creatorHaverlah, Karen M.
dc.date.accessioned2022-11-10T16:36:40Z
dc.date.available2022-11-10T16:36:40Z
dc.date.issued1970
dc.description.abstractProkofieff created a piano style decidedly different from that of is predecessors. He constantly strove for perfection and individuality in his works. In this study I propose to concentrate on the technical elements of style in Prokofieff's piano sonatas - discussing their common traits and their differences. [...]
dc.description.departmentMusic, Moores School of
dc.format.digitalOriginreformatted digital
dc.format.mimetypeapplication/pdf
dc.identifier.other14093795
dc.identifier.urihttps://hdl.handle.net/10657/12646
dc.language.isoen
dc.rightsThis item is protected by copyright but is made available here under a claim of fair use (17 U.S.C. Section 107) for non-profit research and educational purposes. Users of this work assume the responsibility for determining copyright status prior to reusing, publishing, or reproducing this item for purposes other than what is allowed by fair use or other copyright exemptions. Any reuse of this item in excess of fair use or other copyright exemptions requires express permission of the copyright holder.
dc.titleA study of Prokofieff's nine piano sonatas
dc.type.dcmiText
dc.type.genreThesis
thesis.degree.collegeCollege of Arts and Sciences
thesis.degree.departmentMusic, Department of
thesis.degree.disciplineMusic
thesis.degree.grantorUniversity of Houston
thesis.degree.levelMasters
thesis.degree.nameMaster of Music

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