Mastery of The Visual Tapestry

dc.contributorGregory, Elizabeth
dc.contributor.authorFlores, Susette
dc.date.accessioned2022-09-22T20:54:51Z
dc.date.available2022-09-22T20:54:51Z
dc.date.issued2022-04-14
dc.description.abstractTo master an understanding of poetic representations as the evocation of a visual experience for the reader, one must first synthesize the interaction between the two mediums interconnected in ekphrastic poetry- the written signifiers and the image. This interaction is visible in the poems, “Brazil, January 1, 1502” by Elizabeth Bishop and “Sea Unicorns and Land Unicorns” by Marianne Moore. Both Marianne Moore and Elizabeth Bishop challenge the more conventional modes of poetic representation. Both poems are an ekphrasis of a tapestry: the visible language depicted by a diction that alludes to an artist honing an artistic piece is projected through the active medium of writing and voice.
dc.description.departmentEnglish, Department of
dc.description.departmentHonors College
dc.identifier.urihttps://hdl.handle.net/10657/11692
dc.language.isoen_US
dc.relation.ispartofProvost's Undergraduate Research Scholarship
dc.rightsThe author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).
dc.titleMastery of The Visual Tapestry
dc.typePoster

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