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dc.contributor.authorBrown, Amanda
dc.date.accessioned2018-04-13T18:18:23Z
dc.date.available2018-04-13T18:18:23Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/10657/3002
dc.description.abstractFocusing on a private photographic memorial album held at the University of Colorado Boulder (UCB), this paper explores the relationship between photography, death, memory, and time in nineteenth- and early twentieth-century memorial photography. To date, what little research exists on memorial photography has dealt almost exclusively with single images rather than albums. In contrast, this paper focuses on how memorial photography functions in an album format, with particular attention paid to the implicit narrative of these albums.  In the case of the UCB album, image sequencing and the combination of image and text work together to enact a private mourning ritual and narrative, one in which photography serves to fix forever the deceased in an image of youthful innocence and beauty.
dc.language.isoen
dc.subjectVernacular photography
dc.subjectMemory
dc.subjectDeath
dc.titleThe Way She Looked the Day She Died: Vernacular Photography, Memory, and Death
dc.typeArticle


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  • Proceedings of the Art of Death and Dying Symposium
    The University of Houston Libraries, in partnership with the Blaffer Art Museum, the Cynthia Woods Mitchell Center for the Arts, the Department for Hispanic Studies, the Honors College and School of Art, hosted a three day symposium titled "The Art of Death and Dying" on October 24-27, 2012. Selected papers from the symposium are collected here.

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