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dc.contributor.authorBallestriero, Roberta
dc.date.accessioned2018-04-13T18:18:23Z
dc.date.available2018-04-13T18:18:23Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/10657/3001
dc.description.abstractThe art of wax modelling or ceroplastics has an ancient origin; funeral masks, for example, were produced from an early age and from 300 AD became widely used in the West. The few surviving examples in Europe apply to the culture of the dead are kept in the Westminster Abbey of London. However, this tradition came from the French funeral effigies started in the 13th century. The French model was taken as an example in England and also in Venice there were similar kinds of ceremonies for the funerals of the “Doges” in the 17th century and lasted until the end of the Republic, in 1797. From devotional to funeral effigies wax has played an important role in the power of images because its main characteristic is its capacity to afford a remarkable mimetic likeness far surpassing any other material.
dc.language.isoen
dc.subjectWax modeling
dc.subjectCeroplastics
dc.titleThe Dead in Wax: Funeral Ceroplastics in the European 17th-18th Century Tradition
dc.typeArticle


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  • Proceedings of the Art of Death and Dying Symposium
    The University of Houston Libraries, in partnership with the Blaffer Art Museum, the Cynthia Woods Mitchell Center for the Arts, the Department for Hispanic Studies, the Honors College and School of Art, hosted a three day symposium titled "The Art of Death and Dying" on October 24-27, 2012. Selected papers from the symposium are collected here.

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